![]() Notably however, cinematograph-centered experimentation by British physiologists including Charles Scott Sherrington, as well as German-trained psychologists such as Hugo Münsterberg and Max Wertheimer, contributed to a cordoning-off of psychological from physiological questioning during the early twentieth century. Bergson's philosophy accorded well with a mode of physiological psychology in which claims relating to mental and physiological existence interacted. It does so via experimental historical analysis of the adaptation of cinematographic devices to physiological investigation. This paper arrives at a normative position regarding the relevance of Henri Bergson's philosophy to historical enquiry. This peculiar medial situation makes their experiments into sites for the analysis of the entwinement between objects of knowledge and their means of knowing as well as for the study of the attempt to grasp with the exact methods of science that which is beyond the purported limits of science. Thereby, their practice continually blurs the line between its object of representation and its medium of representation. ![]() ![]() Their attempts to capture the subtle media of effluvia reveal the presence of other media within the images: that of the technical apparatus (the emulsifying liquid) and that of the surrounding environment (the fluid of air). I explore the tension between Darget’s and Baraduc’s photographic practice, which stresses immediacy even as it continually enacts ‘medial tautologies’. It is these media-theoretical implications that form the subject matter of this article. These experiments fit into their era’s aim for scientific objectivity however, by striving to exclude the camera from the image-making process, they highlight the complex media-theoretical dynamics at work in Lorraine Daston and Peter Galison’s ‘mechanical objectivity’. LEGACY #710 32 PGS./Rated T+ …$3.This article explores turn-of-the-twentieth-century occult photographic experiments by Louis Darget and Hippolyte Baraduc that eliminated the technological medium of the photographic equipment and worked with an altogether different kind of medium: namely, the so-called ‘vital fluid’. Rocket Raccoon comes face-to-face with his past - and it isn't pretty! Meanwhile, the Avengers search the universe for the Shards of Night - and find trouble in the shape of the Children of Nyx! Nyx, the Queen of Night, battles the Avengers over the bodies of her victims - and Hawkeye pays the price of defiance!ĬONNECTING VARIANT COVER by MICO SUAYAN (3 OF 3) But when the threat they face has destroyed even the gods…will anyone make it home?ĬONNECTING VARIANT COVER by MICO SUAYAN (2 OF 3) Now seven Avengers - and one new addition - journey forth to bring back the light. ![]() The team that brought you AVENGERS: NO SURRENDER REUNITES for an all-new weekly AVENGERS adventure! 32 PGS./Rated T+ …$3.99ĬONNECTING VARIANT BY MICO SUAYAN (1 of 3) It's a good thing the Avengers just added a startling new member to the team. The Shadow Colonel and his new Legion of the Unliving raise bloody hell all over the globe. TRANSYLVANIA IS BURNING! As vampire civil war throws the world into chaos, the mysterious Shadow Colonel and his squad of undead revolutionaries have one burning question on their murderous minds: Where is Dracula? And if the Avengers find him first, will the lord of the damned be friend or foe? 32 PGS./Rated T+ …$3.99ĬAPTAIN MARVEL VARIANT COVER by GERALD PARELĭracula forges unholy alliances from his prison cell. WRAPAROUND VARIANT COVER BY MATTEO SCALERA ![]()
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